Showing posts with label Seven Minutes in Devon. Show all posts
Showing posts with label Seven Minutes in Devon. Show all posts

Wednesday, November 27, 2013

A Red Door Reads Black Friday Sale!



For a limited time, each of these titles is on sale.

Sullivan by Linda Winstead Jones    Amazon   Barnes and Noble
The Spinster's Seduction by Ella Stark  Amazon     Barnes and Noble
Tall, Tatted and Tempting by Tammy Falkner  Amazon    Barnes and Noble
Seven Minutes in Devon by Catherine Gayle    Amazon     Barnes and Noble
Heroes Returned Trilogy by Ava Stone (3 books!)  Amazon    Barnes and Noble
Scots, Spies and Salacious Lies by Jane Charles  Amazon   Barnes and Noble
Fulfillment by Laurel Bennett  Amazon   Barnes and Noble
Reese by Lori Handeland  Amazon  Barnes and Noble
Kick Start by Caren Crane  Amazon  Barnes and Noble
The Matchbaker by Jerrica Knight-Catania  Amazon  Barnes and Noble
Still of the Night by Dee Davis  Amazon  Barnes and Noble
The Trouble with Goodbye by Sarra Cannon  Amazon  Barnes and Noble
Angel Unleashed by Andris Bear  Amazon   Barnes and Noble
To Burn by Claudia Dain   Amazon   Barnes and Noble
Tainted by  Julie Kenner    Amazon  Barnes and Noble
Just Desserts by Marquita Valentine  Amazon  Barnes and Noble
Encounter with Mr. Bad Luck by Michelle Marcos   Amazon  Barnes and Noble
Taste for Trouble by Susan Sey  Amazon

Friday, August 2, 2013

Seven Minutes in Devon - in Audio

Seven Minutes in Devon is now available in audio format.

You can find it at AudibleAmazon, and iTunes.


During a minutes-long span three years ago, their lives were forever changed when Lady Morgan Cardiff nearly drowned.


Returning to the disastrous scene for the first time, Emma Hathaway is older, wiser and ready to move on. With her parents quickly aging, she needs a husband. Alas, she is an awkward, bookish girl with no dowry to recommend her, and she is far from being an Incomparable or an heiress who might rouse a gentleman's interest. Her hopes of changing the ton's view of her are dashed upon the arrival of the others involved in that life-altering moment. Aidan Cardiff's perpetual glares prove he blames Emma for Morgan's scarred, blind condition. His unfounded hatred alone leaves Emma shaken, but his unbidden advances threaten to thwart her husband-hunt.


Ever since his sister's failed attempts to take her own life, Aidan Cardiff has been a loathsome, brooding artist. He's spent three years creating artwork to depict the revenge he'd like to exact against anyone, save himself, who can be blamed for Morgan's pervasive melancholy. Yet, his art has been far from enough to assuage the rage he's built inside. Morgan is finally ready to live again, but Aidan fears letting her out of his sight - particularly with Emma Hathaway, the chit whose very existence sets his blood to boiling. But is the heat fueling his fire due solely to his anger, or is there something more?

Thursday, July 25, 2013

Grumps and Curmudgeons: An Ode to the Brooding and Tortured Hero

I have a thing for a wounded hero--and no, I'm not talking about physical wounds. I'm talking about emotional scars, the sort that make a man want to build a wall of protection around himself and not allow anyone to hurt him in that way ever again.

I like to dig into his psyche, poke and prod around (yes, to the point that he reacts like an angry bear) until I see what caused him to build up the wall...and until I can figure out how to tear that wall down, brick by brick, and find a man beneath who isn't afraid to let someone come behind it with him.

Before you ask, yes, I know why I have this thing for this sort of hero. There are a lot of men in my life who are exactly like that. They lash out with a hurt-them-before-they-hurt-me mentality. They put on a cocky air, trying to convince the world that they don't need anyone or anything. They destroy everything in their lives, if given half the chance.

And I love them.

Some of these men in my life have let me get beneath the surface and discover the leveling blows that left them in such a state. You know what I've found when I do that? I've found good men, with huge hearts, who just want someone to love them. So I do.

Maybe my thing has gotten to be a bit too much. I don't know. But I do know that I have a tendency to gravitate toward this sort of hero when I'm writing.

The hero of my most recent release, SEVEN MINUTES IN DEVON, is precisely that sort of hero. He's a tortured, brooding artist. Aidan Cardiff doesn't know how to face the things that life has thrown into his path, and so he bottles it all up in his head and only lets it out in his artwork.

During a minutes-long span three years ago, their lives were forever changed when Lady Morgan Cardiff nearly drowned.

Returning to the disastrous scene for the first time, Emma Hathaway is older, wiser--and ready to move on. With her parents quickly aging, she needs a husband. Alas, she is an awkward, bookish girl with no dowry to recommend her, and she is far from being an Incomparable, or an heiress who might rouse a gentleman's interest. Her hopes of changing the ton's view of her are dashed upon the arrival of the others involved in that life-altering moment. Aidan Cardiff's perpetual glares prove he blames Emma for Morgan's scarred, blind condition. His unfounded hatred alone leaves Emma shaken, but his unbidden advances threaten to thwart her husband-hunt.

Ever since his sister's failed attempts to take her own life, Aidan Cardiff has been a loathsome, brooding artist. He's spent three years creating artwork to depict the revenge he'd like to exact against anyone, save himself, who can be blamed for Morgan's pervasive melancholy. Yet his art has been far from enough to assuage the rage he's built inside. Morgan is finally ready to live again, but Aidan fears letting her out of his sight--particularly with Emma Hathaway, the chit whose very existence sets his blood to boiling. But is the heat fueling his fire due solely to his anger, or is there something more?

SEVEN MINUTES IN DEVON is available now at Amazon and Barnes and Noble.

Do you like a brooding hero? Why or why not? What sort do you tend to gravitate to, whether in your reading/writing material or in real life?

**Originally published at Lady Scribes**